Saturday, July, 15, 2023
We stopped at another site too see the pe'a pe'a birds (white rumped swiftlets) that nest in lava tubes. Pe'a pe'a bird are nocturnal birds that use echolocation to navigate. Again, yes, you have to pay to see these sites, but consider the impact we are all having on the environment through our tourism. The fee is minimal, and I pay for all of us at each site. Here they get a flashlight per person so we can shine it in the eyes of these poor nesting baby birds. This lava tube is cave not much taller than a human that extends relatively straight off into the darkness, but the nests are all relatively close to the entrance Supposedly this tunnel goes all the way to France, according to another story Leota told us. Our next stop was the lava fields in Saleaula that covered an old LMS church but did not cover a nearby virgin's grave. Mount Matavanu is a volcano in Savai'i formed during the eruption that started in 1905 and waxed and waned until 1911. The lava flowed overland at a pace that allowed the district of Gaga'emauga to pack up and move to 'Upolu. By 1906 it had largely ceased flowing overland but had destroyed the village. Lava continued to flow through the tubes until around 1911. Decades later they were able to return and found that the upper story walls of LMS church ruins were still standing and that a mythical virgin's grave had not been covered by the lava. They took these as signs to their land was protected and returned, though they also maintained their new community in 'Upolu. So their family now reside in the two villages on both islands. The church is made of Samoan concrete, which is made from crushed coral. It's super sturdy apparently. Some of this info I read on the signs, some Leota told us, and some the people running the attractions told us. We were running late getting back to the village in time. Another local chief had asked that we attend a cultural event taking place in family that he had invited me to, but we would not be able to drive back in time, since we were only halfway around the island. We stopped to buy a fish on the way back. Samoans have fish in the water in front of them, but when they want it for dinner, it is easier to grab it from a stand at the market than go fishing. When one goes fishing, it is easier to sell the fish at the market than try to save it to eat every night. The same seems to be true of eggs and other perishables. Have I said that hospitality is their ethos in Samoa? It was wonderful. The food was the best we had the whole time we've been in the Islands. Our bodies never thanked us so much for the good quality food. As middleclass Americans, I think being treated with the courtesy accorded people of high status was a little uncomfortable. Leota and his family served us, and only when we had eaten and were completely finished did they eat. We are grateful for this experience and feel so welcome there. The photos below were taken by Tala Eslekielu Lealamanu'a, one of the many lovely members of Leota's family who hosted us. The respect being shown by our host and guide Leota in the center photo is apparent. Again, I am both honored and embarrassed by this, as Leota is a chief in the village. He is one of several chiefs, but he is important here nonetheless. After eating, we conducted pile sorts with several participants, which I will talk more about in a future post. Then, we went for a swim. Leota had been offering to take us swimming since we'd arrived, but we'd been running late on Friday, then we'd needed to get gas for our tank in the morning. So we finally went in the inlet just across the road from the fale.
We had been getting to know Leota all day. He told us stories as he drove us around. He preferred to do the driving in Samoa, both because it was easier than for him to tell us how to navigate and also because I think he likes to be in control. I understand that myself, but I am happy to work with people who like to take charge of things. Hanging out in the water gave us an even better opportunity to get to know him. The High Chief had given us special permission to drink beer anywhere we want, including the fale tele and while in the village pools and streams. He'd also given special dispensation for Leota to drink with us. It wasn't something I'd expected though I'd given the money for the beer. Kalama and his son had arrived on the bridge with the beer. We said we were going swimming, and I thought they'd take the beer back to the fale tele. Instead, they walked through the water to a log where we could drink while we were swimming. Apparently, it's a thing. Just like anywhere else in the world--of course it's a thing. Leota and I talked more about our understanding of each other and goals for this visit and our project while drinking beer and floating in the water. Kalama opened them for us and kept the case of warm Taula afloat while the boy looked on. He was relieved by our attitudes and we talked about how we could truly collaborate on things. One of the issues according to Leota, is that Samoans don't really value write their history down. They believe that they live it; why should they record it? The only real Samoan historian they have, he says, is Malama Meleisea. Leota is inspired by Meleisea and wants to record some of the true stories that have remained hidden. But not for palagi, he says, for his own children. When the only stories written in English are the versions told to palagi writers, the children reading those works in school believe them about their own history. So, Leota reasons, it is anti-colonial to be able to resist the complete brainwashing of his children by making sure their legends are also preserved in the colonizer language. It may seem like a weird duality, but I understand it. Hearing Leota, reading what I have about Meleisea, and meeting him personally, I very much want and need to read more of his work, and I'm really excited by the opportunity to work with Leota more closely.
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Monday, July 10, 2023Josh Lockhart (UA MA student), Grant Pethel (UA undergrad), and I went by the Centre for Samoan Studies (CSS) at the National University of Samoa (NUS) on Monday; our liaison and CSS cultural anthropologist Dionne Fonoti and archaeologist Greg Jackmond were just coming back from a site visit or something. We had a meeting with our translator-cultural assist Leota Sanele (he is listed as Sanele Leota on NUS sites, but Leota is his chief title and name he goes by, so I will have to probe this convention again to understand what I'm getting wrong) to work on our pile-sorting activity. We also made arrangements to go to Savai''i and buy ferry tickets, which I'll talk more about in the next post. Tuesday, July 11The week before, we read an article in Samoa Observer about a colonial-era prison that CSS was working on interpreting as a new museum exhibit. We asked Greg and Dionne when we were hanging out at the CSS, and they told us about this new project with German scholars who were visiting and volunteered to show us the site. It's nice to know people, as these sites are not always easy to find or made accessible for anyone to visit, as they are usually on private property and not set up for tourism. We met at the CSS office, and transferred over to a CSS car with Greg. Jackmond was in the Peace Corps in Samoa in the 1970s and was interested in archaeology. He was there when University of Utah archaeologist Jesse Jennings was conducting research and was asked to help. Jackmond worked for several years as an archaeologist there after the Peace Corps but eventually went back to the States. There he had a career as a school teacher specializing in computers. After retirement, Jackmond returned to Samoa to see what all had been accomplished in Samoan archaeology since he left. He was disappointed that Jennings had concluded no more could be found and that not much had been done in 20-30 years in Upolu or Savai'i. He has stayed on in Samoa and has been working with CSS to develop projects with investigators like me. Currently, the website he has set up to make LiDAR map interpretations open access is down, but hopefully I can share some of his material here soon. Vaimea Prison is just outside of downtown Apia and was built by the German colonial government, which had occupied Samoa from the 1830s till WWI, when Germany lost its colonial holdings, and the administration of then German Samoa was turned over to New Zealand. The country became Western Samoa, and the prison continued to operate until the 1950s or 1960s. Records suggest that Chief Tupua Tamasese Lealofi III and other leaders of the Mau Movement, a non-violent independence movement that was violently suppressed, were held in Vaimea Prison for some period of time. The building is smaller than we expected with only about 6 cells and a prison yard. The building has been used for storage for the past 70 years, so the full use and footprint of the building are still being uncovered. The week before, they had hauled all the junk out of these rooms, and in the coming weeks, NUS archaeology students would be documenting the graffiti all over the cell walls, which can be seen in several photos below. When we had arrived for the day, Greg had been ready for us with several backpacks of gear. These were kits he has prepared for teaching archaeology, and each contained a few supplies including a tablet set up with Greg's maps. We had tried to drive to a star mound the day before, but we neither had any idea how far we'd need to drive on rocky paths in the jungle (in a rental car that we worried would blow a tire), nor what a star mound would look like when we found it. But I should back up. What is a star mound, and why did we think we could drive somewhere to find one? When I visited in March, Greg showed me the LiDAR maps that had been recorded in 2000 that showed dozens more "star" or "cog" mounds than had previously been known. Greg notes that they are well-known and documented in American Samoa, but that is only because American archaeologists have focused their efforts there. American Samoa is far smaller than Samoa, but bureaucratically, it is simply much easier for Americans to work there. But, honestly, it is not hard at all to work in Samoa; perhaps it was before CSS was developed by Malama Meleisea and Penelope Schoeffel, but the team there make working in Samoa a breeze and a pleasure. At any rate, on the maps, these cog shapes are clearly visible, but what they were used for is more mysterious. Greg says that some of the interpretation is based primarily on work in American Samoa and is that they were for chiefs to pigeon-hunt. Archaeologists Helene Martinsson-Wallin and Joakim Wehlin excavated the star mound we would visit and summarize previous research that suggests pigeon-hunting may have been a late prehistoric use of some mounds but that the mounds were ultimately tied up in monumental ritual use over their lifespans. A story we heard the following week in Savai'i associated with a tourist-friendly mound there is that it was a place for all the chiefs of the Samoan Islands to gather. As Greg points out, there appear to be some post holes in the star mounds we saw, which may have been used like fale posts now (to sit against). There was also a foaga (grinding stone) that was ostensibly dragged up from the water's edge (more on foaga below) to use for 'ava (kava) at one of them. That star mound is on the western tip of Savai'i and is explained by the locals to be a site where chiefs from all the Samoan Islands came together to deliberate. Maybe, but there are no written records of anything and many stories. I don't know how much ethnoarchaeology has been done to try to elicit the folklore around these, so I will not speculate. But the closest accessible star mound was a ways out of town toward the airport and ferry. So first Greg would show us a large foaga, or rock used as a grind stone. Like everything else, when Greg described these items to us and even when he showed us photos, the size was rarely captured. The foago Greg took us to was large and in the middle of a stream bed. They are typically near stream beds, but they get covered and uncovered by silt and other debris, or access to them opened and closed with village relations over the years. Greg wanted to document the grinding surfaces of this foaga in case something happened to it. Human interference is also highly likely, as many foaga feature as parts of walls all over the place, Once you know what to look for, they are everywhere. We measured and photographed each grinding surface and added the data to the database. It was fun to do a little archaeology fieldwork and be of use in our exchange with NUS-CSS. Finally, Greg took us to see the star mound on the Malaefono Plantation in Tuamasaga that was excavated about 20 years ago. While going to and from, we stopped to photograph foaga alongside the road and driveway of the family who owned the star mound property and some embedded in the Nono'a Spring village swimming pool. CSS and the family have talked about making the mound accessible for tourism, but the trees keep growing back while the family deliberates, making the mound difficult to access at times. Nonetheless, we got a good sense of its size and dimensions. All of the star mounds need to be surveyed with ground-penetrating radar (non-invasive) to see if common features can be found. After all this archaeology, we dined well on a treat named for our primary research focus. They were much less satisfying than the rest of our day, but a new Mr. Cowboy video was on local TV that night. Mr. Cowboy is a Samoan country singer with a voice like Waylon Jennings (i.e., DEEP). He broke when he was 16 the last time I was here, and he now has a version of Hank Williams' "Jambalaya" (so meta!) and the Beatles "Ob-La-Di Ob-La-Da" (not my fave, but if Dolly can do rock, so can Mr. Cowboy!). |
Christopher D. LynnI am a Professor of Anthropology at the University of Alabama with expertise in biocultural medical anthropology. Archives
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